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 We warmly welcome you to our Golden Land, Myanmar. We create tour programs that you wish on your own interests and plans and quote accordingly. Our goal is to anticipate your needs throughout your stay and fulfill them promptly to ensure your complete satisfaction. Our goal is to anticipate your needs throughout your stay and fulfill them promptly to ensure your complete satisfaction.
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Trekking HouseThe Manau FestivalThe Kachins believe that Manau was first
celebrated by birds, fish and butterflies. This festival was first
introduced to the people by Jawa Rumja (Tingli Yaw) who married a
woman descendant of the Madai Spirit (Shy Spirit). Jawa Rumja
inherited this festival from his father-in-law and celebrated the
Manau at “Hkrang Hku Major” for the first time. His grandson Sut
Madau again celebrated Manau at “Nau ra yang ga” for the second
time. A 100 years after the second Manau, Kumja Magam celebrated the
festival at “Ningrang Ga” for the third time, followed by Matsaw “N
Hkum Wa” at the same place. Following this tradition Kachins have
been celebrating this festival right up to the present time. The public dance along with drums and gongs is a sign of happiness and celebration. Fasting for a day after the festivals is a must. The Madai Spirit is invited as the main participant of all spirits and when the festival is over all of them must be sent back to their original places. It is celebrated strictly either for four days or eight days. The Manau must be celebrated only by those who have the right to worship the Madai Spirit. To celebrate prosperity – Sut Manau; at funerals – Ju Manau; to forge allies or friendship to wage war, it is called “ Ningtau Manau “ ; in times of victory – the Padang Manau “. At times of separation or parting of companies, it is the “ Kumran Manau “. The “ Dingshawn Manau “ is danced at house warming ceremories, the “ Htingrau Manau “ , to celebrate unity among tribes, and the “ Nau Sawt Manau “ is a casual Manau. The steps of the Manau dance is the same for all occasions, with the dancers in a long line forming several curves around decorated ceremonial poles or totems. These lines and curves relate the Manau history.
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